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NOH8

April 2011

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my (our) books

Fool for Love When You Don't See Me

Someone Like You I'm Your Man

He's The One It Had To Be You

The Mammoth Book of New Gay Erotica Best Gay Erotica 2007

Best Gay Love Stories: New York City Best Gay Love Stories 2005

Three Fortunes In One Cookie The Deal

contact

If you have any of the above books and would like them signed, mail them to:

P.O. Box 131845, Houston, TX., 77219.

Please include three dollars for return postage.

Send email to timothyjlambert@gmail.com


Warning: This blog may contain homosexuals which in the states of California and Maine have been alleged to destroy the sanctity of marriage. Read at your own risk.



Jon%20DeMichaelQuantcast


recommended courses of action


Scout's Honor Rescue is an all-breed, no-kill, Not-For-Profit 501(c)(3) animal rescue organization committed to bringing courage, character and compassion to Houston's homeless pet population and making a positive difference in the lives of these stray and abandoned animals and the Houston community as a whole. 100% of every dollar donated goes directly to saving the life of a homeless animal.

Scouts Honor Rescue Inc.

locally known

join(RED)

maine AIDS alliance

global AIDS alliance

UNAids

AIDS foundation houston

bering omega community services

frannie peabody center


Timothy's hair by Larry Henderson Hair Design.


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ask the lonely


If you haven't seen it already, check out Mark G. Harris' 12 question for writers. Mark asks 6 writers (myself included) for answers to these probing questions:

1) How much importance do you place on The First Sentence, both in your work and in the works that inspired you?

2) With everything there is in a scene to keep track of-- continuity, building suspense, maintaining the motivations for every individual character, making descriptions serve and sparkle, making dialogue inventive, fresh and "the way people talk," etc.-- how do you keep track of it all? Do you anticipate and plan ahead? Fix it all in rewrites? Somehow do it in medias res, and move on without returning?

3) Maybe because it's mandatory that we're taught to read and write (unlike being taught composing or sculpting, or whatever), many idle and wish to write and perhaps dabble. What slingshot you into seriousness?

4) What are some lessons, looking back, that you "needed to learn?"

5) Do you intentionally devise a sentence that will cause a reader to stop and reflect? likewise, one that causes a reader to read on to the next sentence, paragraph, page?

6) What have your experiences with literary rejection given you, in return?

7) People who've read your work and praised it...does it affect what you write, next?

8) Have you ever surprised yourself?

9) Do you envision a reader you intend to read an individual work of yours? Who is she, or he?

10) What has a scathing review done to your soft writer-parts?

11) If you wouldn't mind, Google this guy: portrait of Charles-Joseph-Laurent Cordier, by Ingres. Could you please write a brief description of him, his looks, his mood, any quirks you suspect him of, and whatnot? (I'm wanting to see comparative approaches to the same subject, as well as examples of flair-attack.)

12) Finally, what's one thing you adore that readers do for/to you?

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